{"id":23,"date":"2017-09-12T19:14:13","date_gmt":"2017-09-12T19:14:13","guid":{"rendered":"http:\/\/www.montclair.edu\/university-art-galleries-george-segal-gallery\/?page_id=23"},"modified":"2026-01-28T11:34:15","modified_gmt":"2026-01-28T16:34:15","slug":"exhibitions","status":"publish","type":"page","link":"https:\/\/www.montclair.edu\/galleries\/exhibitions\/","title":{"rendered":"Exhibitions"},"content":{"rendered":"<h2>Current<\/h2>\n<div class=\"prpl-row\"><div class=\"prpl-column one-third\">\n<figure class=\"responsive-image-holder wp-caption alignnone\"><img decoding=\"async\" class=\"mlt-responsive-image\" data-original-image=\"\/galleries\/wp-content\/uploads\/sites\/146\/2025\/12\/Nancy-Pantirer_Metaphorically_BC.jpg\" src=\"\/responsive-media\/cache\/galleries\/wp-content\/uploads\/sites\/146\/2025\/12\/Nancy-Pantirer_Metaphorically_BC.jpg.0.1x.generic.jpg\" alt=\"An abstract painting containing squares, circles, and rectangles in neutral colors.\"\/><\/figure>\n<\/div><div class=\"prpl-column two-thirds\">\n<p><em><strong>Carpe Diem: Select Alumni in the Visual Arts<br \/>\n<\/strong><\/em><strong>February 3 \u2013 May 3<\/strong><br \/>\n<strong>George Segal Gallery<\/strong><\/p>\n<p><em>Carpe Diem <\/em>is a group exhibition, presented by ÌÇÐÄvlog\u2019s Office of Alumni Engagement and Development and hosted by the University Galleries, features distinguished alumni working across media including painting, photography, video and sound.<\/p><\/div><\/p><\/div>\n<span class=\"prpl-button full-width\"><a href=\"https:\/\/www.montclair.edu\/galleries\/carpe-diem-select-alumni-in-the-visual-arts\/\">Learn more about this exhibition<\/a><\/span>\n<hr \/>\n<h2>Past Exhibitions<a name=\"pastexhibitions\"><\/a><\/h2>\n<ul>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/afrotectopias-black-metal\/\"><strong><em>The Age of Black Metal <\/em>by Afrotectopia<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/layo-bright-invasive-blooms\/\">Layo Bright: <em>Invasive Blooms<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/naye-perez-teaching-to-transgress\/\">Na&#8217;Ye Perez:\u00a0<em>Teaching to Transgress<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/the-backend\/\"><em><strong>The Backend<\/strong><\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/caroline-garcias-dancing-on-axes-and-spears\/\">Caroline Garcia&#8217;s\u00a0<em>Dancing on Axes and Spears<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/nothing-under-heaven-by-joseph-liatela\/\"><em>Nothing Under Heaven<\/em> by Joseph Liatela<\/a><\/li>\n<li><a href=\"http:\/\/www.montclair.edu\/galleries\/exhibitions\/ajamu-kojos-black-wall-street-a-case-for-reparations\/\">Ajamu Kojo&#8217;s<em> Black Wall Street: A Case for Reparations<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/techknowfuture\/\">Tech\/Know\/Future\/ From Slang to Structure<\/a><\/li>\n<\/ul>\n<h3>Case Studies<\/h3>\n<ul>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/case-studies-4-hilliary-gabryel-side-sleeper\/\">Case Studies 4: Hilliary Gabryel \u2013 <em>Side Sleeper<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/case-studies-3-joseph-parra-the-edge-of-flesh-and-blood\/\"><strong>Case Studies 3: Joseph Parra \u2013<em> the edge of flesh and blood<\/em><\/strong><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/exhibitions\/case-studies-2-justin-cloud-the-garden\/\">Case Studies 2: Justin Cloud \u2013<em> The Garden<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.montclair.edu\/galleries\/case-studies-damien-davis\">Case Studies 1:\u00a0Damien Davis \u2013<em> OLD CURRENCIES<\/em><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Current Past Exhibitions The Age of Black Metal by Afrotectopia Layo Bright: Invasive Blooms Na&#8217;Ye Perez:\u00a0Teaching to Transgress The Backend Caroline Garcia&#8217;s\u00a0Dancing on Axes and Spears Nothing Under Heaven by Joseph Liatela Ajamu Kojo&#8217;s Black Wall Street: A Case for Reparations Tech\/Know\/Future\/ From Slang to Structure Case Studies Case Studies 4: Hilliary Gabryel \u2013 Side [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":3002,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-23","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":76,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":3006,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/pages\/23\/revisions\/3006"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/media\/3002"}],"wp:attachment":[{"href":"https:\/\/www.montclair.edu\/galleries\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}